Pokemon and Avatar: Nostalgia Swoops in to Save Quarantine

By Liam Moore

March 16, 2021

As we still remain trapped indoors by the coronavirus, we wonder whether or not things will ever get better. Alongside decreasing infection numbers, there are many new things to get excited about in the future. Most recently, it would be the return of many childhood favorites that will get people excited about the future. 

   First, Pokémon announced on February 27, for their 25th anniversary, that they would be remaking two of their games and are in the works for a brand new game. The remakes are of the fourth generation games Pokémon Diamond and Pokémon Pearl and will be titled Pokémon Brilliant Diamond and Pokémon Shining Pearl. The original games, Pokémon Diamond and Pearl, came out in 2006, so this year would be the 15th anniversary for the games, no doubt one of the reasons for choosing these specific games. Also, these remakes will be the first to be compatible with the Nintendo Switch, Nintendo’s latest console, which offers lots of room for visual and technological improvements compared to the original games. As the first remakes in seven years, almost all fans are extremely excited to be able to play the game later this year. 

  Alongside the remakes, Pokémon also announced the release of a new game titled Pokémon: Legends Arceus. This announcement was groundbreaking for the Pokémon community because it showed gameplay for an open world game, the type of Pokémon game fans have been waiting for for years. For non-gamers, open world essentially means that your character is free to roam the in-game world and is typically not bound by the amount of progress in the storyline. Not much about the game is known except that it takes place in the Sinnoh region, is open world, and the three starters are Cyndaquil, Rowlet, and Oshawott. 

  Second, after more than a decade since the ending of Avatar: The Last Airbender, Nickelodeon has announced the revival of the Avatar universe through Avatar Studios. Although The Legend of Korra finished airing in 2014, many fans were not satisfied with the sequel because it did not live up to the original series, which has been debated as the greatest cartoon and show of all time. Hopefully, many fans can find satisfaction with the upcoming shows and movies that the studio has announced they will be making.

  One of the main reasons to announce the creation of more Avatar content was because of its rising popularity. Last year, Avatar and The Legend of Korra released on Netflix in May and December respectively. Also, in January the creators of Avatar announced that there will be a live action movie adaptation coming to Netflix in the future. As many Avatar are aware, there was an attempt at a live action adaptation that is notoriously bad to the point where most people ignore its existence. This was the cause of the skyrocketing popularity of Avatar in the past year. 

  Although the past year has been hard to look at optimistically, these two franchises could be enough to to turn this year for the better. Both Pokémon and Avatar are franchises that many people hold near and dear to their hearts, so the fact that there are new releases in the future is something to be optimistic about. 

Ranking the Star Trek Completed Series

By Justin Higginbotham

March 16, 2021

Star Trek began as a nearly rejected pilot in 1966 and has prospered into one of the world’s most renowned franchises with 7 shows, 2 animated series, and 13 films. With 5 separate completed shows, there are bound to be some that work better than others, and there absolutely are. Starting with those that don’t are: 

5. Star Trek: Enterprise

  Airing in 2001, Enterprise is the most recent of the completed series, and in my opinion, is the worst. Enterprise follows the crew of the First exploration vessel to leave earth, the U.S.S Enterprise. The crew of the ship all lack personality and any traits worth of interest, the crew is mostly made up of humans who completely disregard the multicultural open-mindedness of the series’ predecessors. There is no single episode worth watching, the show is a boring drag across space already explored in other series with a bland crew whose only character traits seem to be reactionary.

4. Star Trek: The Original Series

  Airing in 1966, Star Trek serves now as a hallmark of the era. Booming in popularity, the multicultural crew of the Starship Enterprise heavily influenced the viewers’ perceptions of the world around them with the crew’s open-minded and progressive views and interactions with new alien species. With the set and special effects of a 1966 TV show, much of the poor quality effects add to the charm and style of the show. Despite its incredible legacy, Star Trek fails when it comes to the writing on many episodes, boring and confusing plotlines litter the show with few gems hidden within. 

3.Star Trek: The Next Generation

  Often hailed as the greatest series in the franchise, the next generation follows the adventures of the Next Generation of the Enterprise crew. The Next Generation is renowned for oftentimes tackling strong philosophical issues and problems. The crew, though more developed than the crew of the Original Series, is often criticized as being static and unchanging throughout the series. Many of the characters do seem to get stale throughout the show, yet this is balanced by the never-ending interesting and thought-provoking stories throughout the show that oftentimes can be missed in the action and techno-babble of a sci-fi show.

2. Star Trek: Voyager

  Taking place on a starship stranded on the other side of the galaxy, the crew of the Voyager is made of two opposing forces who must work together out of necessity. The Maqui, an anti-colonizer rebel terrorist organization who the Voyager was sent to apprehend must learn to get along with the ship’s crew and assimilate themselves into a Starfleet setting. Though at first the crew seems bland and uninteresting with little development, this is proved wrong as you slowly learn more and more traits of the crew that give them more intrigue and depth, eventually featuring what proves to be one of the most well-represented autistic coded characters in modern television. Voyager is often regarded as one of the worst series in the franchise, oftentimes those critics seem to care more about the show featuring the franchise’s first female captain than they do about the quality of the writing or production.

1. Star Trek: Deep Space Nine

  The most unique of the franchise, Deep Space Nine takes place on a space station near a planet that has recently gained its independence from their colonizers in a bloody rebellion who now live under an unstable provisional government. The crew consists of a large amount of black and LGBTQ+ representation for its time with the inclusion of multiple gay or gay coded main characters and the first Black captain and his family. Many issues and struggles black people face are clearly discussed in this show, instead of taking the form of analogies on alien worlds. Every single character is given heavy consideration and care in their writing, the show’s creator states “There is more development in the least developed character on DS9 than there is on the most developed character on The Next Generation” anyone who has seen the shows can easily see the truth in this statement as a villain’s background henchman one season can develop into an interesting and well-written character with astounding depth and quality in the next. Deep Space Nine is easily the best show in the franchise, and most likely always will be. 

  With a multitude of new Star Trek series in development, the franchise is soon to expand once more. Regardless of their quality, all of the series have helped to explore and develop the universe of the show, and have even helped to explore many issues not often discussed in television, with this, the generations of Star Trek show creators use their writing to “Go where no man has gone before.”

Netflix’s True Crime Shows

By Maya Mellberg

March 16, 2021

Over the past few years, the true crime genre has amassed a significant following. This has fueled the creation of many TV shows and documentaries covering some of the most haunting cases and terrifying killers. Here are some popular true crime documentaries and docu-series available on Netflix, from murderers, to disappearances these shows will leave you at the edge of your seat.

Night Stalker

The “Night Stalker” was the nickname given to Richard Ramirez, a serial killer that left LA in a state of terror during the mid-1980s. Throughout this time he committed 13 counts of murder, five counts of attempted murder, and a multitude of other crimes. This documentary goes through the timeline of events and the experience of Gil Carrillo and Frank Salerno, detectives running the case during this time. Directed by Tiller Russel, the Night Stalker, uses real TV interviews and media coverage to bring readers back in time. There are no actors portraying certain characters which brings a realistic and emotional aspect to the show.  Compared to some crime shows, Russel did not glamorize the actions of Richard Ramierez. This series is unlike any other, and is a must watch for crime junkies.

Disappearance of Madeleine McCann

Directed by Chris Smith, and starring Anthony Summers, Gonçalo Amaral and Robbyn Swan. This documentary explores the unsolved case of Madeleine McCan, a three-year-old girl, who went on vacation to Portugal in May of 2007. One night she vanishes from her bed, her parents only 100 yards away enjoying dinner. Although a massive manhunt took place, no trace of Madeleine was ever found. This docu-series explores the disappearance, police hunt, media coverage, and attempt to bring home Madeleine McCann. 

Vanishing at Cecil Hotel

Elisa Lam was a Canadian student staying at the Cecil Hotel. When a video of her exiting and entering the elevator while making strange gestures went viral; it is believed she was interacting with someone outside the elevator. She was later found dead in a water tank and her death was ruled accidental, although many disagree as the circumstances of her death were unsettling especially considering the Cecil Hotel is notorious for certain deaths and murders. This TV series examines the eerie death of Elisa Lam. Contrary to many crime shows, this series is mostly focused on interviews with “web-slueths” and their conspiracies as to what really happened to Lam. Elisa’s family is not featured in this series as it is believed they wanted to move on, and not relive the horrors of her death.

American Murder: Family Next Door

This docu-series covers the disappearance of blogger mom Shannan Watts, and her two daughters. As a police investigation goes underway, the ugly reality behind the internet facade comes to light. Countless videos and text messages reveal what really happened to Shannan, Bella, and Celeste Watts; a haunting story of a marriage gone wrong and the horrific truth that shocked America. Because the lives of the Watts family were heavily documented the series uses real video footage, texts, and phone calls to show the reality of this seemingly perfect family. Jenny Popplewell, director, geniusly executes the creation of this series and brings light to the truth about the Watts family.

Spring is Coming

By Joesph Kurtz

March 16th, 2021

According to the Farmers Almanac “In 2021, the spring equinox occurs on Saturday, March 20,” which means that spring is coming in less than a month. Spring is a great time of year with the abundance of plant life and uplifting holidays that will hopefully take our mind off of the pandemic.

  Spring is notorious for its abundance of life. According to House Beautiful.com, flowers such as crocus, daffodils, and tulips will bloom this spring. It’s the equivalent of Christmas lights on houses, except  it’s the beautiful planted flowers that shine. Many animals like bears, chipmunks, and other woodland creatures will be born this spring.  This means that during spring parks are filled with the most amount of wildlife and new life.

  Unfortunately, some parts of “new life” are not always pretty, and insects like ticks are now in abundance. In fact, PestWorld.org states that “ this season, in fields, forests and yards across the country, as we head into what is expected to be an extremely heavy tick season.” The extremely heavy tick season was created this year becauwse of the mild winter and abundance of acorns, which produce more mice. After going to the park, make sure to inspect yourself for ticks as they   usually latch on with causing you to feel it.  The Global Lyme Alliance states that “For most effective tick bite prevention, products with the active ingredients DEET, Picaridin, Oil of Lemon Eucalyptus (OLE)*, or Permethrin are most effective.” You can also use some garlic oil. 

 Tick season is not the only yearly event that takes place in spring.  Saint Patrick’s Day is coming up on March 17th, so don’t forget to wear green. Besides wearing green, another St. Patrick’s Day tradition, according to History.com is to “share a traditional meal of corned beef and cabbage”. According to Kiro 7.com “foods were less expensive for immigrants who came to America’’. The original dish used pork and potatoes.  Easter will also be on April 12th and Mothers day is on May 10th. All of these holidays sound amazing, but for students, spring break probably sounds the best. In fact, spring break for MHS starts on March 29th and ends April 9th.Thats two weeks (with weekend included) of non-Zoom days. No more staring at the computer for five to seven hours a day. 

  To add to the student holiday a pink moon will rise on April 7th. It’s also a super moon so it will be bright for those who drive at night. According to Farmers Almanac “April’s full Moon often corresponded with the early springtime blooms of a certain wildflower native to eastern North America: Phlox subulata—commonly called creeping phlox or moss phlox—which also went by the name “moss pink.” This means that another species of flower will be blooming this spring. The Spring equinox will bring new life and new holidays this spring, so let’s enjoy it.  

Daft Punk: The End of an Era

By Colin Murphy

March 8th, 2021

Daft Punk, a legendary dance music duo has parted ways after forming 28 years ago in Paris. 

  The Parisian duo broke the news via an eight minute video titled “Epilogue”. Pitchfork asked around to find out if this duo was no longer together and their longtime publicist Kathryn Frazier confirmed the news, but gave no reason for their parting ways.

 Thomas Bangalter and Guy-Manuel de Homem-Christo formed Daft Punk in Paris in 1993, hoping to “improve the French touch style of house music”, according to Pitchfork. Their debut album, released in 1997 titled Homework, became a dance music landmark. This album featured two premier titles named “Da Funk” and “Around the World”.As their follow up album Discovery came out in 2001, the duo began making public appearances in their robot outfits that soon became their global trademark. The singles “One More Time” and “Harder, Better, Faster, Stronger” cemented their names as global superstars.

Twenty years into their phenomenal career, they dropped yet another banger. “Get Lucky” took over the Billboard charts and soared across the whole world becoming a song that everyone knew. That song was the lead single for their 2013 album Random Access Memories. The song won two Grammys for Daft Punk and their guests, Nile Rodgers and Pharrell Williams. The album later won Daft Punk three more Grammys which included Album of the Year. The Grammy Ceremonies hosted one of their last on stage appearances.  

  Following their phenomenal success in their 2013 album, they continued to work with Kanye West and ended up co-producing several of the tracks on his album Yeezus. They then went on and worked with The Weekend on his 2016 single “Starboy” which topped the charts- as well as “I Feel it Coming” which was a second hit. 

  Beyond the singles and behind the scenes work, Daft Punk left an impact on the house music industry like no other; and influenced artists of all different genres.

Interpreting The Female Statues of the Ancient City of Çatalhöyük

By Isabella Howe

March 8, 2021

During the 1960s, British European archeologist James Mellaart received permission to excavate the ancient city of Çatalhöyük. Çatalhöyük is located in what is now modern-day Anatolia, Turkey. When Mellaart first arrived at the site he and his team had already discovered a  selection of examples of “Neolithic craftsmanship” found upon the fields of farms surrounding the location. When the team began their excavation they chose the site that was determined to be the dwellings of Dido, The Queen of Carthage. It was here where the team uncovered the statue that would be responsible for convincing Mellaart of his inaccurate deduction of how the worship system of the civilization was structured.

  The statue uncovered was a depiction of a female figure sitting upon a chair accompanied by two leopards sitting at her feet to whose heads she had gently placed her hands upon. The statue also was described to have a small bulge on the ground of the pottery design which was concluded to be an infant of some sort. The figurine was found in a well-decorated room that was assumed to be a temple by the team. This selection of discoveries was enough evidence to drive Mellaart to arrive at the conclusion that Çatalhöyük was a matriarchy culture that revered a “goddess of fertility”. It is believed that there was a likely probability that Mellaart was strongly influenced by James George Frazer, a Victorian anthropologist who wrote about a theory entailing the concept of the possibility of multiple pre-Christian civilizations having a worship system centered upon a “mother goddess”. This was then built upon in the 1940s by Robert Graves a classical scholar and poet who wrote in his book The White Goddess that mythologies of the Middle East and Europe derived from a religious order that admired a goddess of “birth, love, and death”. These works heavily shaped the ideas of Mellaart’s generation of archeologists who went in search of ancient civilizations that could have been defined by such qualities. 

  Though Mellaart began to reach verdicts that had little to no correlation or relation to the ideas of either Frazer or Graves. Mellaart claimed the Çatalhöyük was a society in which women ruled over men. His evidence for such a claim was his belief in the connotation of the way women were being presented physically in the sculptures. He described the women as “thick and strong” and often “flanked by fierce animals”. Due to these factors, he concluded that this was not a patriarchal society because it was, in his opinion, unlikely for males to depict the female body in such a way. He made the comparison to the opposing representation of women in magazines designed for the male audience such as that of Hugh Hefner’s Playboy magazine. He claimed that in this format women were illustrated in a way that communicated innocence, fragility, and gentleness. Mellaart’s conclusions for a time were not questioned significantly and were easily adopted by the public. Çatalhöyük became known as an ancient matriarchal society for a period of time. Curricula even began to incorporate the concept of Turkish matriarchal civilizations due to Mellaart and his ideas.

   Since the 1980s more and more evidence has been uncovered that shows a contradiction to Mellaart’s notions, causing a large opposition of beliefs coming from the archaeologist community. Lynn Meskell, an archeologist from Stanford University, also visited the Çatalhöyük excavation site. After the collection of data gathered in the 25 years since Mellaart, Meskell has taken the stance arguing that these female figurines served a different purpose than just simple worship. It was determined that in just Dido’s house there were a total of 141 figurines of which the majority were animals and the minority were human anatomy. This quantity relation was shown to be the case in the many other households of the area, suggesting that animals were much more popular than the female figurines. It was also shown that such statues were not made with time and care or for the purpose of preservation. From observation and examination, it was shown that such artifacts were made with speed and a lack of desire for quality. The state in which they were found also suggests that they were often handled and carried around rather than looked at on display. They were also discovered upon odd locations such as jammed between two walls or in trash piles. Meskell argued that these factors indicate that these objects were not those of worship as they treated them trivially. Furthermore, she claimed that this suggests that the objects were more for short-term everyday use and the act of creating them was more significant than the final product itself. The figurines were also shown to be representing the bodies of aged women which refutes the concept of a fertility god. 

 Rosemary Joyce, an archaeologist from UC Berkeley, expressed the viewpoint of the importance of avoiding projecting modern gender role understandings onto ancient cultures as Mellaart did. It must be considered that such organization of communities was based on other categorical systems such as age and or occupation. The domination of one gender over another is not the sole and only form of hierarchical organization that can and could have occurred.

 It must be considered that generally human beings are equipped with a selection of preconceived notions and interpretations that govern one’s thoughts and actions. Ultimately it provides historical blindness that disables the most accurate interpretation of unknown societies as the one observing such evidence is projecting their personal version and understanding of history. Due to historical contingency, scientists must be fully aware of the possibility of easily falling into a trend of forcing new discoveries of lifestyles to fit into the templet of the lifestyles already known. Evidently, assumptions are the danger and threat to the accuracy of discerning what is unknown. 

Research based off of Annalee Newitz’s article “What Archaeologists Got Wrong about Female Statues, Goddesses, and Fertility” from Popular Science.

Texas’s Culture War on Clean Energy

By Lola Weber

March 8th, 2021

Texas, home to nearly 30 million Americans, has been hit by dangerous and unprecedented weather conditions, along with a brewing struggle regarding energy policy in the U.S. 

   As expected, the urgent weather crisis which  hit Texas this late winter has morphed into a cultural conflict of sorts, creating the red-blue division which frames itself in nearly every conflict across the nation. Initially, leading GOP members initiated this ‘war’ while attempting to scapegoat the calamity of the Texan energy disaster. 

   Dan Crenshaw, a Republican representative, urgently took to Twitter in the midst of the Texas emergency, stating, “with blackouts across Texas, many are wondering: what happened? Leftists are cheering a ‘red state’ having energy problems”. He then went on to blame the blackouts on “a mix of over-subsidized wind energy and under-investment in gas power”, which hastily fired off the energy hostility. 

   Tucker Carlson soon followed suit, declaring on a Fox News segment that, “the windmills failed like the silly fashion accessories they are, and people in Texas died. This is not to beat up on the state of Texas — it’s a great state, actually — but to give you some sense of what’s about to happen to you.” Liberals have begun to parallel this conservative fervor over coal energy, towards wind energy.

   Although it is undeniable that in comparison to coal energy, wind energy finds itself to be significantly more environmentally beneficial, there is a discernible failure among both resources.

   While advocates of coal energy preach the resource’s efficiency, they fail to comprehend the detriment which follows. While renewable advocates push for alternatives like wind energy, they too fail to comprehend the risk and dependency that these resources have on unforeseeable weather conditions. 

 This is not to draw an equivalence between the two, as liberal renewable energy proponents are far less destructive in their mission in comparison to that of fossil fuel proponents, but to note a common flaw amongst both sides of this energy-culture war, which is the failure of well-rounded accountability and comprehension. This large-scale investment, which was about 47 billion dollars, put up by liberals across the U.S. in efforts to produce more wind turbines, did not come from a place of real climate urgency, but instead was a large-scale capitalist venture. 

   This endeavor is essentially what led to the critical deregulation of energy in Texas which created a perpetual auction on energy. Interestingly enough, Texans don’t mirror the ‘clean energy’ hostility which is so avidly projected by Republican lawmakers. 

In a survey conducted last fall, it was found that about 65 percent (an overall majority) of voters in Texas would be likely to support candidates who pledge to achieve 100% clean energy by the year 2035. Along with this, the study also found that a large sum of Texan voters actually supported the abolition of government tax advantages for the fossil fuel industry. 

The right wing zeal for fossil fuels isn’t as popular in Texas as many would assume, with 46 percent of people in the same study being against fracking, and only 34 percent being proponents of increased fossil fuel. The political climate regarding clean energy in Texas is a lot more progressive and willing to clean energy than conservative and liberal lawmakers suggest. 

Instead of the formation of another Red V. Blue culture war on energy, this situation should strike a pursuit in a more efficient and sustainable solution as a whole. Centering the discourse around wind energy versus fossil fuel energy is futile, when it should be focused around a stronger environmental agenda, such as the Green New Deal, and the push away from complete energy deregulation within the state of Texas, and throughout the nation. 

The Texas Sitch

By Ian Klane

March 8th, 2021

A major winter storm has been battering Texas for  weeks, revealing clear signs of unpreparedness from the state that is experiencing record-breaking sub-zero temperatures.

  The frigid cold is all thanks to the polar vortex, a large area of low pressure located near the poles. Most years during the winter months, the polar vortex breaks down and spreads apart, sending cold air southward. This year, the polar vortex has weakened even more due to stratospheric warmings that occur about six times a decade. The polar vortex doesn’t just appear at random, which is why we knew from the sudden stratospheric warming on January 5, 2021, there would be a possible polar vortex approaching North America.

  Due to the state’s incapability to handle the below-freezing temperatures, many problems arose, greatly affecting Texans. The brutal storm causing, as of now nearly 80 deaths, officials say it may take weeks or even months before the final death toll can be determined and may never be fully accurate.

 In the United States, there are three major power grids. There is one covering the entirety of the west coast, another power grid covering the entirety of the east coast, and then there’s one tiny grid in the center of the two only covering the state of Texas. Due to this isolation and poor maintenance by ERCOT, the company that controls the power grid, Texas was utterly and completely unprepared for the incoming winter storm, causing nearly 4.5 million people to be without power on February 16. Now, with power conditions returned mostly back to normal, tens of thousands of Texans are still without power due to downed lines and other issues.

  On top of the power outages in the state, many Texans had little to no access to water due to frozen or burst pipes, as well as reduced water pressure causing bacteria to accumulate in the pipes, causing 10 million Texans to be put on a boil water notice. A boil water notice means that they have to boil their water to be able to drink it safely. Many Texans as well had little access to food as most grocery stores and restaurants were shut down. The majority of roads closed also meant many could not leave their homes.

 Meanwhile, amid the power crises, Texas Senator Ted Cruz was on vacation relaxing on the warm beaches of Cancún. After news of his trip had become public, Cruz released a statement attempting to cover up his selfish wrongdoing by explaining to the press that he was merely escorting his daughters on a vacation trip with their friends. In an apparent bid for sympathy, Cruz was quoted as saying, “like millions of other Texans, our family lost heat and water.” Texas GOP Rep. Michael McCall on Sunday, February 21, delivered a pointed rebuke of Sen. Ted Cruz saying, “Look when a crisis hits my state, I’m there. I’m not going to go on some vacation,” leaving no room for another excuse from Cruz defending his actions.

  Comparatively, while an actual Texas senator provided practically zero assistance to Texans, a liberal representative with little to no stakes in Texas came to the rescue. U.S. Representative for New York’s 14th congressional district Alexandria Ocasio-Cortez in response to the disaster was able to raise nearly $5 million in Texas relief efforts. The congresswoman even flew to Houston to join Democratic Texas Rep. Sylvia Garcia to distribute supplies. During her stay, the progressive lawmaker and other Democrats visited food distribution centers, water delivery sites and toured the damage left behind from an unprecedented storm.

The Notorious Ms. Banks

By Diana Kerbeck

March 8, 2021

A rapper, a singer, a songwriter, and an internet troll. Azealia Banks’ immense talent cannot be understated. She is a highly skilled vocalist, an excellent rapper, and a captivating personality. She broke out into the scene with the hit single “212”, a critically acclaimed song that broke boundaries of what rap could be perceived as. Azealia soon became a gay icon as her unique mix of house beats, soulful singing, and rap was seemingly catered to the LGBTQ+ community. However, since then, her career has changed drastically, mostly due to her feuds with nearly every celebrity that exists including Rihanna, Nicki Minaj, Lana del Rey, Iggy Azealia, Kendrick Lamar, Beyoncé, Cardi B, Zayn Malik, and the former Governor of Alaska, Sarah Palin. 

 It was, at one point, a trend to google one’s birthday followed by Azealia Banks and see what ridiculous article came up. For me, I received a wonderful story about Azelia Banks calling a flight attendant the f-slur. This begins the dichotomy of Azealia, where she has at many times been a vocal supporter of the gay community, and at others offended it deeply. She is openly bisexual, yet has been known to go into homophobic or transphobic tirades. An overarching theme of Azealia’s feuds with artists is her ability to mix valid criticisms over genuine issues, with offensive and incomprehensible nonsense. Some of her more valid criticisms include calling out Eminem over his mockery of victims of domestic violence or Lana del Rey’s inconsistent feminism. Others are more humorous in nature, such as her calling Cardi B a “poor man’s Nicki Minaj” or her lawsuit with Elon Musk where he is accused of stealing her phone. This then leads to her most recent controversy involving a video posted to her Instagram account where she digs up her buried dead cat from her backyard, brings it into her kitchen, puts it into a pot, and boils it. She did eventually clarify that she didn’t eat the cat but the purpose of this endeavor remains a mystery. 

 This has become what Azealia is known for, her music rarely receives the attention it once did, yet she remains in the news due to her inability to stay off Twitter. Ms. Banks may still have once been able to stage a comeback, but after alienating so much of her fanbase, it is far less likely. Just a few days ago she announced that she was engaged and this might help her career return, but likely she has already done far too much harm. In fact, the mere announcement of this engagement has already created a new controversy after Azealia proclaimed herself to be jewish and calling transgender women “men in wigs”. Whether her constant internet drama is a conscious attempt to stay relevant, a symptom of an underlying condition, or a genuine expression of hate, is unknown. Lastly, after her comments have hurt and offended so many people, many believe it’s finally time to remove her platform.